Memorable but cryptic
Have you ever heard of these 14 alternative book titles that never were?
Published on March 5, 2025
Credit: Pixabay
Titles are our first introduction to books. From what we gather on the cover, we expect to get a glimpse of the journey the writer will take us on. But have you ever finished reading a book and still not known why it was titled that way? While some authors include passages that explain their chosen titles, others prefer to preserve the mystery or leave room for interpretation. Let’s decode some catchy yet enigmatic book titles!
The Catcher in the Rye
Credit: Natasha Arefyeva
Scottish poet and lyricist Robert Burns penned Comin’ Thro’ the Rye, the text that Holden Caulfield misquotes in the book written by J.D. Salinger, and which gives the novel its title.
In a fantasy, Holden imagines himself standing in a field of rye, catching children who are playing near the edge of a cliff before they fall into the abyss—just as he longs to protect them from the hardships of growing up. Previous short stories by the author featuring Holden had been named Slight Rebellion off Madison and I’m Crazy.
The Sun Also Rises
Credit: AXP Photography
Hemingway’s The Sun Also Rises is known by an alternative title in some countries: **Fiesta**—a clear nod to the novel’s Spanish setting and the celebratory atmosphere of the bull runs.
However, on second thought, the author decided to change the title to shine the spotlight on the novel’s exploration of morality. He ultimately chose The Sun Also Rises, drawing inspiration from the Bible—specifically, a passage from Ecclesiastes: "The sun also ariseth, and the sun goeth down, and hasteth to his place where he arose."
One Hundred Years of Solitude
Credit: Camila Melo
A captivating title that sets us up for a nostalgic—and lengthy—book. Gabriel García Márquez’s masterpiece almost had a far less poetic title: The House. Thankfully, he reconsidered and chose One Hundred Years of Solitude.
This multigenerational family saga is marked by characters who experience isolation—both from the world and each other. Fun fact: Márquez reportedly struggled with the title until the phrase came to him in a moment of inspiration while driving.
Of Mice and Men
Credit: Joshua J. Cotten
Robert Burns did it again! This time Robert Burns’ poem To a Mouse was the inspiration for Steinbeck’s Of Mice and Men which includes the famous line: "The best-laid schemes of mice and men often go awry."
Since the novel explores themes of shattered dreams and fragile plans, Steinbeck’s choice was both poignant and literary. Interestingly, he almost titled it **Something That Happened**—a name so vague it could apply to nearly any book!
Do Androids Dream of Electric Sheep?
Credit: Leyre
This title is one of the most intriguing on the list—reminiscent of a modern essay or a TED Talk. Philip K. Dick’s sci-fi classic is thought-provoking from the very start. Published in the late ’60s, it was ahead of its time in exploring artificial intelligence and what it means to be human versus machine.
The Electric Toad was one alternative title the author considered. And in case you didn’t know, this book was indeed adapted for the big screen—under a much sleeker name: Blade Runner.
No Country for Old Men
Credit: Wonderlane
Cormac McCarthy didn’t originally plan to write a novel at all—it started as a screenplay! But the title was set from the beginning.
The story, centered on Sheriff Bell and his sense of displacement in a violent world, takes its name from the opening line of W.B. Yeats’s poem Sailing to Byzantium: "That is no country for old men."
The Sound and the Fury
Credit: MICHAEL CHIARA
Did you know that Faulkner’s famous work could have easily been mistaken for a vampire fantasy romance novel? He originally considered naming it Twilight instead of The Sound and the Fury.
Thankfully, he opted for a line from Shakespeare’s Macbeth: "Life is a tale told by an idiot, full of sound and fury, signifying nothing." The title reflects the chaotic narrative of the Compson family’s decline, as well as the futility of their struggles.
The Grapes of Wrath
Credit: Sonder Quest
It was going to be called **The Harvest Gypsies**—not quite grand enough for what would become John Steinbeck’s celebrated novel, The Grapes of Wrath.
It was his wife, Carol, who suggested the final title, inspired by Julia Ward Howe’s Battle Hymn of the Republic, which includes the line, "He is trampling out the vintage where the grapes of wrath are stored." The phrase perfectly encapsulated the novel’s themes of suffering, resilience, and the fight for dignity during the Great Depression.
The Handmaid's Tale
Credit: Pierre Bamin
Offred was the original title Margaret Atwood had for her novel—a fitting choice, as it’s the name of the narrator and protagonist. However, she ultimately changed it in a nod to Geoffrey Chaucer’s The Canterbury Tales, where each story is told from a different character’s perspective.
In this dystopian novel, it is Offred, a repressed woman forced into childbearing, who tells the story.
Beloved
Credit: Jan Huber
Toni Morrison’s Beloved almost had a completely different title: The Six-Minute Gap. This referred to the time it took for the schoolteacher to arrive and stop Sethe from killing her children—a pivotal moment in the novel.
Morrison cleverly shifted to Beloved, the name of an important character, but also a haunting and mocking title to tell the story of a mother tortured by her past decisions.
Gravity's Rainbow
Credit: Yulia Gadalina
Gravity's Rainbow and **Mindless Pleasures**—neither title reveals much about the story, yet both were considered by Thomas Pynchon for his novel.
The final title may sound poetic or philosophical, which could be intentional. But, strictly speaking, it has a concrete meaning: it refers to the arc of a V-2 rocket’s flight—a parabola shaped like a rainbow, the consequence of gravity. This trajectory serves as a central symbol in the book.
Catch-22
Credit: Immo Wegmann
Joseph Heller coined the term Catch-22 to describe a nonsensical bureaucratic rule that torments the main character in his novel. The phrase resonated so strongly with readers that it became synonymous with paradoxical dilemmas.
Originally, Heller planned to title his book Catch-18, but editors urged him to change it to avoid confusion with Mila 18, another novel. He briefly considered Catch-11 and Catch-14 before finally settling on _Catch-22_—a choice that would make literary history.
Midnight's Children
Credit: Shot by Cerqueira
Salman Rushdie’s Midnight’s Children originally had a slightly different working title: Children of Midnight. The term refers to children born at the precise moment of India’s independence, who, in this magical realism novel, possess extraordinary powers.
Rushdie has said the title came to him early and stuck—fortunately so, as Children of Midnight sounds more like a spooky bedtime story than a sweeping epic about identity and destiny.