IMPRESS IN BRUTALIST FASHION

Go For An Urban Safari With These 12 Architectural Terms

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The realm of architecture is riddled with idioms that describe styles, technical features, concepts, and a million more things that make this ancient combination of art and science what it is.

Knowing a few of these terms can certainly be useful for impressing people in casual conversation but it can also prove valuable in understanding some of the key aspects of architecture. From gables to fenestrations, from Gothic to Brutalist architecture, the myriad of words in this discipline can confuse almost everyone. So, read on and learn about some of them.

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Derived from the Italian word balaustro, meaning "wild pomegranate flower", the baluster stands as a vertical pillar, typically slender and often intricately adorned, supporting railings along staircases, balconies, or terraces.

These architectural elements showcase both functionality and aesthetic finesse, adding a touch of elegance to structures. Serving as guardians of safety, balusters seamlessly blend form and function, illustrating the nuanced language that architects use to craft the spaces we inhabit.

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Coming from the Old French word finir, meaning "to finish", the finial is a crowning jewel, a decorative ornament that graces the summits of structures, be they spires, gables, or sometimes even furniture.

With origins deeply rooted in medieval architecture, finials evolved from functional elements to exquisite expressions of craftsmanship. These sculpted finales, akin to miniature sculptures, punctuate the skyline and rooflines, completing architectural narratives with flair.

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The term "cornice" comes as a defining feature, gracing buildings with a touch of grandeur. Originating from the Italian word cornice, meaning ledge, this architectural flourish sits proudly at the meeting point of walls and roofs, marking the transition from structure to sky.

Serving both functional and aesthetic purposes, cornices act as protective overhangs, shielding edifices from the elements while bestowing a visual exclamation point to their design. From the ornate cornices adorning historic buildings to the sleek, modern iterations of contemporary architecture, these elevated ledges narrate the tales of different eras and styles.

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A word derived from the Middle Frenchdormeor, meaning "sleeping room", dormers are akin to architectural eyelids, projecting windows vertically from a sloping roof. These structures not only invite natural light into attics and upper spaces but also introduce a captivating aesthetic rhythm to the roofline.

Dormers have adapted to various styles from Gothic to Colonial, each time giving spaces a sense of character and uniqueness.

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The term "cantilever" expresses a sort of defiance of gravity, a structural marvel that challenges conventional supports. Derived from the medieval Latin word cantileverium, meaning a "bracket" or "beam", cantilevers extend boldly from a building's main structure, seemingly suspended in mid-air.

These architectural marvels appear in everything from daring modern residences to iconic skyscrapers. Cantilevers not only push the boundaries of design but also serve practical purposes, creating overhangs, balconies, or awe-inspiring architectural feats.

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Rooted in the ancient Greek word konops, meaning a covering or mosquito net, canopies are architectural appendages that transcend mere utility. These overhead structures, be they stretched over entrances, walkways, or outdoor spaces, offer protection from the elements while bestowing an aesthetic flourish.

From the intricate designs adorning historical structures to the sleek, modern lines of contemporary designs, canopies dually serve as functional guardians and artistic statements.

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An arcade is a series of contiguous arches supported by columns or other vertical elements. It comes from the Italian word arcata which means, quite literally, "arch". These successions of arches, often forming covered walkways or open galleries, can be seen in both ancient structures and modern urban landscapes.

Whether framing crowded shopping malls or adorning historical buildings, arcades seamlessly blend aesthetic charm with functional allure.

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Gables adorn roofs with a distinct silhouette that speaks to architectural heritage. Derived from the Old Frenchgable or gabulum, meaning "end of a building", a gable is the triangular portion of a wall between the edges of a sloping roof.

Whether gracing the facades of historic cottages or modern structures, gables add a touch of elegance and visual interest to the skyline. These peaked beauties, often embellished with decorative elements, symbolize the meeting point of form and function.

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A quite elegant word in itself, an "architrave" is an element that graces the transitions between columns and structures. Derived from the Greek words archi, meaning "chief", and trabe, meaning "beam", the architrave serves as the principal beam resting atop columns, forming an essential part of classical architectural orders.

This horizontal member, though often understated, bears the weight of the entablature, symbolizing the subtle elegance that defines architectural cohesion. Whether in ancient temples or contemporary buildings, architraves showcase a marriage of function and aesthetics, illustrating the enduring influence of classical principles in shaping our built environments.

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A "buttress" is a steadfast guardian, supporting structures with a blend of strength and purpose. Derived from the Old French word bouteresse, meaning a prop or support, a buttress is an external architectural feature designed to counteract the lateral thrust exerted by a building, particularly in the case of large or Gothic structures.

These architectural reinforcements come in various forms, from flying buttresses gracefully spanning cathedral walls to massive earthbound counterparts.

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In the world of architecture, "cladding" unveils itself as the outer skin, a protective and aesthetic layer that dresses buildings in a myriad of materials. Rooted in the Middle English word "clad," meaning clothed, cladding is the art of enveloping structures to shield them from the elements while shaping their visual identity.

Whether manifesting as sleek glass panels on modern skyscrapers or rustic stone on historic structures, cladding reflects the character and purpose of a building.

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"Fenestration" is the art of placement and design of windows and other openings in a building's facade. Coming from the Latin word fenestra, meaning "window", fenestration goes beyond mere openings, including the arrangement, size, and style of windows to shape the visual and functional aspects of a structure.

Whether framing panoramic views in contemporary skyscrapers or punctuating historical buildings with rhythmic precision, fenestration is the orchestration of light, ventilation, and aesthetics.

TURNS OUT, DADA IS A GROWN-UP WORD.

Can You Describe That Painting? 12 Styles and Their Names Explained

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As someone said, If it exists, it can be named. The arts have always been very prolific when it comes to creating new forms of expression and giving them names that act as a separating barrier between the old and the new.

Every artist has a unique style, which can range from abstract to realistic, from impressionistic to expressionistic, and beyond. Understanding the different painting styles can help us appreciate the beauty of each one of them. Let’s take a look at twelve of them!

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The term "Baroque" came from the Portuguese word barroco, meaning "irregularly shaped pearl", which later evolved to describe ornate and extravagant art, such as what we now know as Baroque. These paintings often depict dynamic scenes, with figures in motion and intense emotions portrayed through gestures and facial expressions. Baroque artists skillfully employed techniques like chiaroscuro (light and shadow), tenebrism (dramatic use of shadows), and foreshortening (illusion of depth) to create a sense of depth and Realism.

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As the saying goes, Imitation is the most sincere form of flattery. While Neoclassicism might not be a straight imitation, it certainly owes to the aesthetics of classical antiquity, particularly Greece and Rome. Emerging in the mid-18th century and flourishing until the early 19th century, Neoclassicism was a sweeping cultural movement that permeated various artistic disciplines, including painting, sculpture, and architecture. As a movement, it sought to emulate the perceived perfection, harmony, and rationality of the ancient world.

The term "Neoclassicism" itself emerged in the late 18th century, referring to the enduring influence of classical art and culture.

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Arising in the early 18th century as a reaction to the greatness and formality of the Baroque style, Rococo painting proposed a lighter, more playful aesthetic. It was characterized by delicate pastel colors and an emphasis on movement and asymmetry.

The term "Rococo" supposedly originated from the French word rocaille, which refers to the shell-work ornamentation that was popular during the period. This decorative element, often used in fountains and grottoes, embodied the Rococo style's fondness for curves, asymmetry, and natural forms.

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Impressionism is a revolutionary painting style that emerged in the late 19th century. The term "Impressionism" was coined by one of the style’s biggest stars, Claude Monet, in his painting titled "Impression, Sunrise."

It is characterized by vibrant brushstrokes and it aims to convey the artist's impression rather than a realistic representation. Rejecting the strict techniques of academic art, impressionists sought to capture the essence and atmosphere of a scene.

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If you have ever seen the famous works with the Campbell Soup cans, you have seen Pop Art. It is a vibrant and iconic style that emerged in the 1950s and 1960s, challenging the traditional boundaries of art. The term itself, "Pop Art," was first used by the art critic Lawrence Alloway in 1958, referring to art that incorporates popular cultural elements.

Influenced by mass media, advertising, and consumerism, Pop Art celebrated everyday objects, celebrities, and even comic books. Artists like Andy Warhol (yes, the one from the Campbell Soup painting) and Roy Lichtenstein used bold colors, graphic techniques, and repetition to create visually striking and thought-provoking works.

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If the painting of the melting watches or its creator, Salvador Dalí, comes to mind, then you know SurRealism. It is an enigmatic art movement that emerged in the early 20th century. The term "SurRealism" was coined by the French writer and poet, Guillaume Apollinaire, in 1917.

Surrealist paintings sought to explore the realm of the unconscious mind and tap into the power of dreams and the fantastic. Artists like Salvador Dali and René Magritte created bizarre and dreamlike works to provoke thought and challenge rationality. The style aimed to liberate the imagination, allowing the viewer to interpret the artwork in their unique way.

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It is so unconventional as a style that some people even refuse to call it art. But still, Abstract Art is a captivating and strange painting style that emerged in the early 20th century. The term "abstract" refers to the idea of art that does not attempt to represent an accurate depiction of visual reality. It was used to describe the works of artists like Wassily Kandinsky, who believed that art should focus on the expression of emotions, ideas, or concepts rather than on recognizable objects. Abstract Art often features shapes, colors, and forms that are simplified or distorted to create a sense of movement, rhythm, and harmony.

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In a medium where personal expression is paramount, Expressionism is king (to some, at least). This is a powerful and intense art movement that emerged in the early 20th century. The term "Expressionism" refers to the idea of art that is deeply personal and expressive, aimed at conveying powerful emotions and ideas. It was first used to describe the works of artists like Emil Nolde, who sought to depict the raw emotions and inner conflicts of their subjects. Expressionist paintings often feature sharp lines, bold colors, and distorted forms, creating a sense of tension, anxiety, and alienation. Not the most cheerful stuff, indeed, but it makes up for great art.

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Coined by the French art critic Louis Vauxcelles in 1908, the term "Cubism" refers to the geometric forms and fragmented perspectives used by artists such as Pablo Picasso and Georges Braque. Cubist paintings sought to depict objects from multiple viewpoints at the same time, breaking them down into geometric shapes and planes. By challenging traditional notions of perspective and representation, cubist artists aimed to capture the essence of an object beyond its physical appearance. The resulting artworks often appear as abstract and fragmented, yet still convey a sense of recognizable forms.

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Hailing from the 19th century, "Realism" is a style inspired by the belief that art should represent the world as it is. The term "Realism" was first used to describe the works of artists such as Gustave Courbet, who sought to capture everyday scenes and the lives of ordinary people. Realist paintings often feature detailed and accurate depictions of people, places, and objects. By rejecting the idealization and exaggerated emotion of earlier art movements, realist artists sought to create a more honest and direct impression of the world around them.

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It means "new art" in its original French and it certainly must have appeared that way to the people of the late 19th century. Art Nouveau was a popular artistic movement that became a recognizable style throughout the world. It reflects its contemporary nature and its rejection of the styles that came before it. The Art Nouveau is characterized by its use of flowing lines, sinuous curves, and abstracted forms, often inspired by nature and the natural world.

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Often mistaken for photographs, Photorealism is a painting style that emerged in the late 1960s. The term "Photorealism" was coined by the art dealer Louis K. Meisel in 1969, describing the works of artists like Chuck Close and Richard Estes. Photorealistic paintings often depict everyday scenes, landscapes, or portraits. Artists achieve this meticulous Realism by using photographs as their references, carefully reproducing every minute detail, including reflections, textures, and shadows. The goal of Photorealism is not merely to replicate a photograph, but to capture the essence and atmosphere of the subject, stimulating a sense of familiarity and immersion.